performing arts Archives – Varsity Branding

Tag: performing arts

QUOTES

“I do think that there is a greater ability perhaps to just sit back and enjoy a journey.” (Stuart)

“We’re living in a world of peaks. You go to see a Marvel movie and every five minutes there’s going to be some kind of crazy thing that stirs you and pumps you with adrenaline. Listening to great music is not that.” (Stuart)

“What we’re doing is creating a landscape of sound and intensity. Yes, you’re going to have your peaks, but then you’re going to have long periods of lulls that allow for the next peak to be something special.” (Stuart)

“I do think that as you get older, there’s a greater willingness to reflect on what it means to be alive, what it means to exist in this world.” (Stuart)

“There’s so much anger, so much infighting among groups and fighting with other groups that people are looking for ways to make sense of all of that. And at its core, that’s what art is attempting to do.” (Stuart)

“When you come to a concert, you’re being thrust together to experience something as a community — a kind of ad hoc community that will not exist again after this day.” (Stuart)

“Your presence, your energy, your focus is palpable. I can’t describe what it feels like, but I feel it.” (Stuart)

“When you’re at a concert, you’re actively engaged in the artistic endeavor. It’s not like we’re performing and you’re listening.” (Stuart)

“Don’t judge yourself based on other people’s perspectives. Know what you want, know what’s important to you, and pursue that.” (Stuart)

NOTES

Stuart Malina has served as Music Director and Conductor of the Harrisburg Symphony Orchestra for more than 25 years. A Tony Award-winning orchestrator and accomplished pianist, he is known for blending classical tradition with contemporary perspectives while championing the emotional and communal power of live music.

The Harrisburg Symphony Orchestra is one of the oldest continuously operating orchestras in the United States, performing at the historic Forum Auditorium in downtown Harrisburg. The organization presents classical masterworks, pops concerts and educational programming while working to expand accessibility and deepen community engagement through live music experiences.

Malina won a Tony Award for his orchestration work on Twyla Tharp and Billy Joel’s Broadway production Moving Out. Throughout his career, he has collaborated with artists across multiple disciplines including dancers, actors and rock musicians. He also discussed the challenges of contemporary classical composition, the importance of exposing audiences to new music and the role arts organizations play in combating loneliness and fostering human connection.

Malina reflected on how audiences often develop a deeper appreciation for music and art as they age, citing patience, perspective and emotional openness as contributing factors.

He discussed how classical music differs from modern entertainment because it embraces emotional peaks and valleys rather than constant stimulation and adrenaline.

Malina described live performance as a shared community experience that cannot be replicated through recordings, emphasizing the energy exchange between performers and audiences.

He shared stories illustrating music’s profound effect on cognition and emotion, including experiences involving individuals with Alzheimer’s disease and developmental disabilities.

Malina explained how working on Broadway’s Moving Out expanded his understanding of artistry and deepened his respect for musicians, dancers and choreographers from outside the classical world.

He spoke about the importance of contemporary composers and challenged the notion that great music only exists in the past, arguing that today’s composers are creating work that will endure for generations.

Malina discussed how concerts and other live arts experiences can help combat loneliness by creating safe, communal environments where people feel connected through shared experiences.

QUOTES

“Theater has the great ability to bring people together in a dark space without anything to distract them. So everyone’s there to hear the same story at the same time. And when they leave the theater, they walk away with that story.” (Jerry)

“Live theater is a very, very special and unique experience that can only happen with that particular group of people you happen to show up with for the same performance.” (Jerry)

“I looked into her eyes and I saw a 19-year-old. She was so eager to be the best that she could be, even at that age. Here’s this young choreographer, and she was willing to listen and take the notes because I was out front watching.” (Jerry)

“Making musicals is like fishing with a net. You throw it into the sea. If it comes back with a lot of fish, you’re going to have success. But if it comes back half empty, you’re not going to run very long.” (Jerry)

“There are more letters in the word business than there are in show. My mom always used to say, it’s our job to get them to come back tomorrow.” (Jerry)

“By giving to my community and creating a safe space and raising money with the help of millions of other dancers and creative artists, that philanthropic event gave me a career.” (Jerry)

“Michael Bennett used to say to me, don’t wait for the muses. Just show up and do the work. And really, that’s what it is. It’s about showing up.” (Jerry)

“The food that you eat, how you fuel your body, is as important as how you use your body to exercise and express itself. The fuel will actually help you in the longevity, without question.” (Jerry)

“When people are in physical spaces together, they are actually doing a dance not to bump into each other. And patterns start to emerge.” (Jerry)

“Finding space for those stories is important, because along with them comes a lot of young, new artists that have new voices. And we need those voices.” (Jerry)

“My relationships with my younger creative artists fuel me as much as I’m giving them advice and fueling them. It’s a give and take, there’s no question.” (Jerry)

“Patience. Patience is the one thing that so many young artists have to learn.” (Jerry)

NOTES

Jerry Mitchell is a two-time Tony Award-winning director and choreographer known for shaping iconic Broadway productions like Hairspray, Kinky Boots, and Legally Blonde. With a career spanning decades, he has built a reputation for blending storytelling, movement and emotion to create memorable theatrical experiences.

Beyond his creative work, Jerry is deeply involved in the Broadway community, contributing as a mentor, collaborator and philanthropist. His leadership and influence extend across generations of performers and creators, helping shape both the art and business of theater.

Jerry is also the creator of Broadway Bares, a long-running fundraising initiative that has generated over $30 million for Broadway Cares/Equity Fights AIDS. His philanthropic impact earned him the Isabelle Stevenson Tony Award, recognizing his commitment to community and giving back.

Live theater creates a shared experience that connects audiences in a way no other medium can.

Great performances evolve over time, with shows becoming stronger and more refined as actors fully inhabit their roles.

Different generations engage with stories in unique ways, often reflecting their own personal experiences and perspectives.

Success in creative work comes from consistently showing up and putting in the effort.

Strong collaboration is essential, requiring alignment, trust and a shared vision to bring ideas to life.

Mentorship is a two-way exchange, where experienced artists and younger talent learn from each other.

Staying relevant requires adapting to changing audiences and understanding what resonates across generations.

Patience is a critical ingredient for long-term growth, especially for those early in their careers.

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